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APRIL 1984
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Source: Rolling Stone Magazine
http://www.rollingstone.com/reviews/cd/review.asp/?aid=43131&cf=1527
YES: 90125
By J. D. Considine
Owner of a Lonely Heart" does not sound like the Yes of old. With its
supple, understated dance beat, kaleidoscopic shifts in instrumental
texture and notable lack of pseudo-classical overkill, it seems too hip,
too street-smart for a band whose idea of a pop song was once something as
rococo as "Round about." Yet it's obviously Jon Anderson's voice carrying
the melancholy melody, and a quick check of the credits finds longtime
bassist Chris Squire and drummer Alan White playing alongside original
keyboardist Tony Kaye and new guitarist Trevor Rabin. Given the personnel,
90125 counts as a reunion album of sorts, but considering the sound,
reinvention might be a more apt term.
Credit for much of the change would seem to belong to yet another Yes
alumnus, producer Trevor Horn. Applying the same kind of flashy pop
sensibility he showed on ABC's Lexicon of Love, Horn has rechanneled Yes'
predilection for sonic excess, and the result is a sound that relies on
production and arranging tricks instead of instrumental flash.
Although 90125 occasionally falls back on old tricks, as in "Cinema" and
the overblown "Our Song," most of the album is surprisingly spritely and
poppish. Electronics, especially the new generation of synthesizers, are
heavily used, but Horn's most canny device is his manipulation of Yes'
choirboy vocal harmonies. From the inspired polyphony of "Leave It" to the
bit of musique concrete that prefaces "City of Love" to the persistent
sweetening of each chorus, Horn manages to find an unexpected hook every
time the band members open their mouths. This emphasis on melodic appeal
over instrumental prowess may alienate some of Yes' longtime fans, but if
it continues to result in records as listenable as this one, then this may
turn out to be one reunion that tops the original.
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