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1994
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Source: All Music Guide
http://www.allmusic.com/cg/amg.dll/?p=amg&sql=Arq63tr4qkl3x&uid=FTRALBUMS
AMG Review: Deseo
By Dave Connolly
Deseo
Artist Jon Anderson
Album Title Deseo
Date of Release 1994
Jon Anderson's voice immersed in South American music might seem an
unlikely match, but the rich and vibrant tones of Deseo provide a
strikingly fresh setting for the singer. Augmented by well-known artists
from across South and Latin America, the Yes vocalist seems content to
recede into the background on many of the tracks, retaining a native flavor
with stellar cameos from Maria Conchita Alonso, Boca Livre, Milton
Nascimento, and many others. The songs, which generally clock in around
three-and-a-half minutes, are warm and upbeat, mixing English, Portuguese,
and Spanish vocals with propulsive percussion, acoustic guitars, bass, and
synthesizers. The melodies are lovely and atmospheric, uncomplicated but
evocative. The best tracks don't necessarily feature Anderson in a starring
role: "A-DE-O," "Bridges," "Danca Do Ouro," and "Café" feature the vocalist
in a supporting role, but listeners may find themselves too entranced by
the beautiful harmonies to notice his absence. While the singer does take
center stage on a number of songs with pleasant results -- "This Child,"
"Floresta," and especially "Bless This" (with Deborah Anderson) -- a few
tracks leave Anderson exposed, notably the lightweight "Latino" and the
ill-advised posturing of the opening "Amor Real." However, these occasional
missteps are easily overlooked in lieu of the disc's innumerable charms.
The artist had experimented with world sounds on earlier albums with his
Yes mates -- "Teakbois" from Anderson Bruford Wakeman Howe and "Angkor Wat"
from Union come to mind -- but Deseo marks a genuine willingness to step
outside of his own idiom. Thus, the connection between Jon Anderson and the
music on Deseo isn't always clear, but the singer wisely shares his sense
of discovery with the listener, allowing the music (and not the musician) to shine.
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