-----------------------------------------------------
AUGUST 10, 2001
-----------------------------------------------------
Source: Dayton Daily News
http://www.activedayton.com/ddn/go/0810yes.html
Tales From Symphonic Concerts
Yes brings orchestral fantasies to life
By Carol Simmons
KETTERING — The answer is: “Yes.”
The question was: “Would the British progressive-rock band ever undertake a performance tour with orchestral accompaniment?”
Yes founding member and bassist Chris Squire said that fans have been requesting such a venture for some time now; since March 21, 1970, by most
accounts. That’s when the band gave its one and only performance with symphonic backing — until this summer — in an adventurous concert at
London’s Queen Elizabeth Hall.
In its 34th year as a band — and in anticipation of the September release of a new studio album — Yes finally has taken the symphonic concept on the
road.
What’s more surprising is that the group, which shares credit for defining the symphonic rock genre, hadn’t done so before.
Founded in 1967, Yes pioneered a musical form that combined classical and even jazz influences with an arty pop-rock flavor. While known for several
high-profile personnel changes, the band also was recognized for a distinctive musicianship regardless of its membership of the moment.
Scoring its first U.S. hit in 1972 with Roundabout, Yes went on to produce rock classics such as I’ve Seen All Good People and Owner of a Lonely
Heart, a departure toward pop in the 1980s.
Albums such as Fragile, released in 1971, 1972’s Close to the Edge and the triple-live album Yessongs from ’73 defined progressive, symphonic rock.
The band’s forthcoming album, titled Magnification, reportedly doesn’t diverge far afield from the group’s original vision.
In Vancouver last week — eight days into a 30-city North American tour — bassist Squire said he was “just getting used to” the tour’s symphonic
arrangement.
On Thursday, Squire — along with fellow Yes veterans Jon Anderson (vocals), Steve Howe (guitar) and Alan White (drums) — bring the tour to Kettering’s
Fraze Pavilion. The band will be joined onstage by members of the Dayton Philharmonic Orchestra.
“We’re playing with a different orchestra each show,” Squire said. The band
members achieve some continuity from one performance to the next by bringing along their own violinist to serve as concertmaster as well as
their own conductor to lead the classically trained musicians.
Serving as the tour’s main conductor is Larry Groupe, an Emmy-winning TV and film composer who arranged the music and conducted the orchestra
musicians for the new album. Bill Stromberg and Jung-Ho Pak are scheduled to fill in when needed, according to the official Yes Web site, at
www.yesworld.com.
Playing with an orchestra has been “definitely interesting,” Squire said in a distinctly clipped British accent. “There’s a much fuller sound with 50
extra people,” he said, adding however, “Really, from where I am on the stage, I don’t get the full effect.”
That full effect is meant for the audience, and particularly the fans who requested the addition.
Offering the audience what Squire calls “full-value entertainment” has long been a part of the Yes concert experience. Although some observers over the
years have criticized the band for a perceived pretentiousness, Yes never skimped on the production aspects of its performances, using lasers early
on along with in-the-round revolving stages and elaborate fantasy art-inspired sets.
“We were always interested in putting on a good show, as well as in the music,” Squire said.
“We’ve always been fans of classical music,” Squire said of himself and his
Yes cohorts. The band’s medium was always decidedly rock, but “we’ve always
written music that lends itself to an orchestral flavor.”
Still, Squire said he has “had no formal (musical) training. I didn’t really start playing an instrument until I was about 15,” he said. “I was
15 when the Beatles started, and that seemed like a real neat thing to do.”
Another element that has set Yes apart from other rock groups is its penchant for mystical, even spiritual-themed lyrics. “Yes has always
carried a message of hope in our lyrics,” Squire sad. “We’ve never been a band that’s been hard-core rock ’n’ roll, that’s down and dirty. We’ve
taken the moral high ground.”
How to go
* WHAT: “The Yessymphonic Tour,” starring rock band Yes accompanied by members of the Dayton Philharmonic Orchestra.
* WHEN: 8:30 p.m. Thursday.
* WHERE: Fraze Pavilion, 695 Lincoln Park Boulevard, Kettering.
* COST: $38 and $22.50. Tickets available at the Fraze box office, the Kettering Recreation Complex and all Ticketmaster outlets (including by
phone at 228-2323 and online at www.ticketmaster.com).
* MORE INFO: Call Fraze Pavilion at 297-3720.
* Contact Carol Simmons at 225-7309 or by e-mail at carol_simmons@coxohio.com.
Close Window
YesInThePress.com
For site comments, problems, corrections, or additions, contact YesinthePress@aol.com
|
|
|