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SEPTEMBER 28, 2001
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Source: Progressive World
http://www.progressiveworld.net/yes8.html
Yes - Magnification
Released: 2001
Label: Eagle Records
Cat. No.: EAGCD 189
Total Time: 60:33
Reviewed by: John "Bo Bo" Bollenberg
11th September 2001. This date was marked as the official launch for the 32nd Yes album Magnification. Instead this date will reach the history
books as one of the saddest days in American history due to the horror that took place at the World Trade Centre in New York and the Pentagon in
Washington DC. YES suddenly became NO as in "NO more," "never again." Gladly, the magic of music can take our minds off these tragedies and guide
us through an imaginary world of love and peace as only Jon Anderson can sing about, as only Roger Dean can design.
More than thirty years before, on March 21st 1970 to be precise, Yes delivered one of the highlights of its career by combining their symphonic
rock with a real classical orchestra. The Queen Elizabeth Hall therefore remains unique and has given the band the idea to once again combine their
creative skills with the talent of a huge orchestra. This time around though the orchestra's conductor has been involved in the writing,
arranging, and producing of the actual album. None other than Emmy award-winning composer/conductor Larry Groupé raises his baton to steer the
original Yes music through cascades of violins, violas and cellos. But can Yes' music really work without a keyboard player? Has Groupé been able to
replace the important, vacant spot of the keyboard player by means of lush arrangements?
Has the fact that Alan White leaves his drum kit to play some piano been part of the solution to solve the difficulties regarding the
situation of the keyboard player? Accompany us into exploring this brand
new outing by one of the most important bands in prog history.
First of all let's go back to 9th November 1966, to London's Indica Gallery to be precise. It's there and then that John Lennon meets Yoko Ono for the
first time during one of her exhibitions. Called "one woman show or unfinished paintings and objects," one of the installations is a white
ladder leading towards a magnifying-glass which dangles from the ceiling (see pic). Yoko OnoIn order to live the experience, visitors have to climb
the ladder, get hold of the magnifying glass, and then read the small word that has been written on the ceiling. When you reach the top of the ladder
the word suddenly reads YES! That simple yet direct statement is exactly what Magnification is all about, going back to the acoustic simplicity of
the composition, yet embraced by the power of the orchestra. Jon's explanation sees Magnification as magnifying the good in people instead of
the media magnifying everything that's bad and evil (which, in case of the recent US tragedies, surely is no "magnification"!).
It's a miracle hearing how Jon Anderson's voice sounds still as fresh and innocent, as if it were his very first recording. Whilst the new material
on both Keys To Ascension sets showed great promise, the collaboration with the late Bruce Fairbairn on The Ladder certainly proved that Yes still had
some good compositions inside of them. Whilst tracks like "Close To The Edge" and even "Ritual" became firm favourites during the new tours, it
became obvious that Yes wanted to go back to its roots, delivering
interesting, surprising music with a slight complex touch. Upon listening to Magnification one has to say it is one of the better Yes albums, yet for
my liking I would have loved to hear the orchestra more prominently in the mix. The title track already holds all of the favourite ingredients, what
with Jon's unique voice blending with Steve's stunning guitar sound and Squire's murdering bass. Only Alan White chooses a more commercial beat.
Steve is as his very best during the swinging "Spirit Of Survival," which has the orchestra add extra power in those segments which really benefit
from its inclusion. One of the focal points in "Don't Go" is certainly the vocal harmonies, resulting in the kind of music which could easily have
been recorded during the band's peak in the seventies. About halfway through the song Jon switches his singing by means of studio magic, which
has us think of the Trevor Horn period (he is even thanked in the credits!). We have to wait until "Give Love Each Day" before we really hear
the orchestra shine in a solo spot. Because of the trumpet, it comes across as a film soundtrack mixed with After Crying. Once Jon integrates his
singing into this song, it switches to some of the best Yes we have heard in years. In fact the spirit of the song takes you back to the Time And A
Word period.
The French horns of the orchestra really deliver the exclamation mark to an outstanding track.
Throughout this recording I get the feeling that the four remaining Yes men really enjoy the new direction they are taking, hence the fact they all
lend their voices in order to deliver an even more diverse sounding album. "Can You Imagine" heavily features Chris Squire, yet it is in no way the
kind of material that was delivered for the Squire/Sherwood project. Steve's acoustic guitar in "We Agree" still has that same magic as during
the Fragile days, delivering its distinctive sound as the ideal backing for Jon's great voice. The violins really underline the majestic chorus, whilst
the acoustic elements filter in and out of the song like the washing of the sea. With certain songs one could ask whether they are indeed Yes songs or
Anderson solo compositions? "Soft As A Dove" is the best example of this, a joyful acoustic song adorned with harp and flute that would have fit
perfectly on Song Of Seven. It even has some Celtic elements woven into it, referring to the band's origins. Based around tribal drumming, "Dreamtime"
maybe is the best example of incorporating contemporary music with the classical formula. There's an outstanding part here that incorporates
Mellotron in a very modern way, as opposed to approaching it as the obvious vintage "prog" instrument. Chris's bass blends well with the powerful horns
of the orchestra, whilst Alan injects the necessary rhythmic fuel. At the end of the song the orchestra gets a solo spot, reminding me of Deep
Purple's Concerto For Group And Orchestra. We are still waiting for some strong melodies though, and with "In The Presence" we get none other than
just that. "If we were flowers, we would worship the sun" sings Jon, merging his romantic soul with an outstanding chorus, which is repeated
towards the end by the orchestra, interspersed by Steve's guitar playing. The album closes with "Time Is Time," a song that could also have been sung
by John Lennon, and with Alan White having been a member of the famous Plastic Ono Band, it perfectly closes the cycle Magnification has made.
With the new album, Yes has firmly re-established itself as one of the most important rock bands in the world. Nevertheless it doesn't reach the
quality of Close To The Edge, but then again it will never be the intention of the band to write a sequel to that epic anyway. Personally I think there
are some very strong songs, but sadly a couple of weaker ones, too, and yes, I would've loved to hear the orchestra more prominent in the mix. I am
however very pleased to hear Jon, Steve, Chris and Alan perform so well
together, as it's that "togetherness" that has always been the key to the band's success. You can only produce the true Yes sound if you sit in the
same room at the same time and compose from scratch, as opposed to the "jigsaw" technique that has been used so often over the years. Sadly,
because Yes has always been THE band that featured loads of keyboards, there is no way the orchestral arrangement can compensate for the lack of
keyboards. After all, which orchestra is able to reproduce the true
identity of the Moog synthesizer or the holy sound of the Mellotron, even when the latter was, in fact, the world's very first sampler based on
classical instruments. The new album will certainly grow on you each time you listen to it, magnifying the name Yes into YES once again!
More about Magnification:
Track Listing: Magnification (7:15) / Spirit Of Survival (6:01) / Don:t Go(4:26) /
Give Love Each Day (7:43) / Can You Imagine (2:58) / We Agree (6:30) /
Soft As A Dove (2:17) / Dreamtime (10:45) / In The Presence Of (10:24) / Time Is Time (2:08)
Musicians:
Jon Anderson - vocal master magician, midi guitar, acoustic guitar
Chris Squire - bass, vocals
Steve Howe - acoustic and electric guitar, steel, mandolin, vocals
Alan White - drums, percussion, vocals, piano
Orchestra conducted by Larry Groupe´
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