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APRIL 10, 2004
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Source: Get Ready to Rock
http://www.getreadytorock.com/reviews/rick_wakeman1.htm
Rick Wakeman & the New English Rock Ensemble "Out There"
By Jason Ritchie
His latest solo album is a prog rock concept album, with the story line
being the exploration of space to discover the origin of music. Joining
Rick are vocalist Damian Wilson (ex-AYREON/THRESHOLD & he also appeared on
a touring version of the musical Les Miserables), guitarist Ant Glynne, his
long-time drummer Tony Fernandez and bass player Lee Pomeroy. The album is
dedicated to the NASA astronauts who lost their lives aboard the STS-107 space shuttle.
Guitarist Ant Glynne adds a prog metal feel to the proceedings, none more
so than on opener ‘Out There’, where the guitar drives the song along. The
track also features some great parping keys! It is the albums epic tune,
weighing in at over thirteen minutes and the track where Rick’s keys show
most prominence. ‘To Be With You’ mixes choral passages into a laid back
beat to produce a very effective song. The rocky ‘Universe of Sound’
follows, with a driving rhythm and Damian’s vocal not unlike Jon Anderson
in pitch. The nearest to a Yes sounding track on the album. ‘The Cathedral
in the Sky’, starts with a church organ before adding more choral touches.
The whole song has a pomp rock feel reminiscent of Styx. It rounds the album of in fine style.
Special mention to the cover as well, with a clear picture (a spaceship
made-up of musical instruments) as there is no band logo on it. The inlay
sleeve is well illustrated with all the lyrics, making it a good package all round.
Superbly played and arranged throughout, the album will delight
longstanding Yes and Rick Wakeman fans. But it has a wider appeal to fans
of prog rock in general, particularly those who enjoy a more modern leaning
like Threshold, Arena, etc. Worthy of a place in your CD collection, with
the highlights being Rick’s keys and Damian’s vocals. Even if you think you
hate prog rock try this as the melodies are tightly composed and there are
no ‘waffly’ passages that put so many people off prog rock.
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