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JUNE 22, 2004
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Source: The Scotsman
http://news.scotsman.com/index.cfm\?id=715232004
YES ***
SECC, GLASGOW
By Jay Richardson
After three-and-a-quarter hours pinned to my seat by the sheer,
self-affirming spectacle of Yes, I felt like Malcolm McDowell in A
Clockwork Orange, my eyes prised wide and unblinking by the near ceaseless
excess. Amid a ballooning set of inflatable abstract animal parts, they
routinely orbited a stratosphere somewhere beyond Spinal Tap irony - singer
Jon Anderson's crowd-walking Rhythm of Love recalling a televangelist
pressing hands, his glow-in-the-dark jacket and failure to keep the vocals
up to speed a squirm-inducing sight.
Yet his voice is still that rarest of falsettos, as displayed on a classily
acoustic Owner Of A Lonely Heart, and the band are still capable of
stunning with the breadth of their ambition. Penultimate number Ritual
showcased an intense duel between Rick Wakeman's synthesisers and Chris
Squire's bass, with Alan White's drum kit, augmented by six massive
automated skins, crashing through its impressive finale alongside Squire
and Anderson's additional drums and percussion.
Preceded by a superb And You And I, this brace could have been the night's
highlight were it not for a juggernauting Mind Drive and a welcome acoustic
set in the middle section.
Momentarily abandoning the swaggering pretension of Squire pointing to the
ceiling and such like, this was simply five skilled artists playing off
each other, and, on his Portuguese guitar especially, it gave Steve Howe
the opportunity to shine. A wiry, intense performer, he was at the heart of
the bluesy treatment of Roundabout and played The Clap solo with an
intricate vigour.
Two hours of this would have been preferable, but as the tumultuous
reception for the encore, Starship Troopers, demonstrated, Yes fans like
their roar from the belly of a space-age behemoth.
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